Friday, June 16, 2017
A Thousand Nights - E.K. Johnston
Author: E.K. Johnston
Publisher: Hyperion, 2015 (Hardcover)
Length: 325 pages
Genre: Adult/Young Adult; Classic, Fantasy
Started: June 12, 2017
Finished: June 16, 2017
From the inside cover:
Lo-Melkhiin killed three hundred girls before he came to her village looking for a wife. When she sees the dust cloud on the horizon, she knows he has arrived. She knows he will want the loveliest girl: her sister. She vows she will not let her be next.
And so she is taken in her sister's place, and she believes death will soon follow. Lo-Melkhiin's court is a dangerous palace filled with pretty things: intricate statues with wretched eyes, exquisite threads to weave the most beautiful garments. She sees everything as if for the last time. But the first sun rises and sets, and she is not dead. Night after night, Lo-Melkhiin comes to her and listens to the stories she tells, and day after day she is awakened by the sunrise. Exploring the palace, she begins to unlock years of fear that have tormented and silenced a kingdom. Lo-Melkhiin was not always a cruel ruler. Something went wrong.
Far away, in their village, her sister is mourning . Through her pain, she calls upon the desert winds, conjuring a subtle unseen magic, and something besides death stirs the air.
Back at the palace, the words she speaks to Lo-Melkhiin every night are given a strange life of their own. Little things, at first: a dress from home, a vision of her sister. With each tale she spins, her power grows. Soon she dreams of bigger, more terrible magic: power enough to save a king, if she can put an end to the rule of a monster.
I've reviewed this author's work before, and adored it. She's a magnificent writer, and Canadian to boot. This is an older and vastly different work, but still lyrically beautiful and just plain amazing.
At first glance, A Thousand Nights is a re-imagining or retelling of the classic work, One Thousand and One Nights, just without all the embedded stories we're familiar with, it's the framing device that is the basis for this version. The unnamed heroine and narrator shares similarities with Scheherazade in that she exists in a pre-Islamic Middle East, becomes the wife of a ruler known for killing his wives, and manages to keep herself alive night after night, and that's about where the similarities end. The book opens with the arrival of Lo-Melkhiin in the desert home in which the narrator and her family live. The narrator knows Lo-Melkhiin will choose her older sister, and so she masquerades as her in order that she may be spared death at his hands. When she leaves, the women in her community say they will build shrines to her and make her a smallgod in honour of her sacrifice. When the narrator arrives at Lo-Melkhiin's palace, she doesn't expect to feel simultaneously at home and unnerved; the people that live there treat her well and admire her, but there are traces of Lo-Melkhiin's unsettling nature everywhere. She soon discovers that Lo-Melkhiin was a kind man until he wandered into the desert and came back possessed by a demon, whose impulses fuelled his cruel actions. The narrator also learns that she has powers of her own, and that Lo-Melkhiin cannot kill her like his other wives. Despite the threats he makes against her sister and family, the narrator is torn between helping the man escape from the demon's grasp within his own mind, or killing him outright and plunging her world into chaos.
This is, and probably will continue to be, compared to The Wrath and the Dawn, the insanely hyped book which came out around the same time. The Wrath and the Dawn was a romantic drama, whereas A Thousand Nights is a thoughtful, densely packed, more literary read that you just want to savour. The writing and atmosphere are just lovely; it reads like an old style classic but spruced up a bit to appeal to modern readers who want a more complex story. Although this is annoying as all heck at first, I really do appreciate the symbolism behind the author making practically everyone in the story nameless with the exception of Lo-Melkhiin. It doesn't necessarily make a case for gender or class here since men and women alike are unnamed regardless of status, but it does serve to remind us that even those who are unknown have power and are a force to be reckoned with.
Definitely give this a go so long as you're not in a rush, you'll want to take your time with this one.
Thoughts on the cover:
Very clever. At first glance, the stuff floating around the title font appears to be smoke or mist, but when you look closer you see they're actually quotes from the book.